Underground Fossils is run by Dimxsk and often by Trylemma, who is on a hip hop spiritual journey in the Himalayas and may not be back for a bit. Posts are every Friday, usually some quality old sh*t but sometimes promotional posts or "reviews". We do all we can to make sure we don't post stuff that (1) You can still reasonably buy from the artist directly, (2) You can reasonably buy secondhand for cheap, (3) You can download easily elsewhere, (4) The artist(s) asks us not to for any reason. Rips will include our own personal rips, old scene rips, and random web rips.

Wednesday, July 31, 2019

New Music: V8 as Perry King - Drowning in an Exosuit: The Underwater Album



Veteran Chicago emcee and producer is back, following up his 2018 instrumental cassette Body Crayon on Icy Palms Records with the off the wall Drowning in an Exosuit: The Underwater Album. As what I would consider a pretty big fan of V8 TFD, I picked it up this morning and am bringing you my earliest impressions, after listening to the album at work.

For those of you not familiar with V8 (the voice alongside Morbidly-O's beats in Sludge Factorie), he is not for everyone. His subject matter, when it's clear which isn't always the case, can be fairly base and disgusting. He drops lines about drug use, sex, violence and serial killers (the track "Teardrop Tempest" opens with a fairly long vocal sample suggesting John Wayne Gacy didn't act alone...). He actually opens a release (I Had an Accident Records' Sludge Tape) with several minutes of someone being violently ill. His rhymes often don't, and a lot of his lyrics seem to be stream of consciousness ramblings that make very little sense when put together.

That said, his voice is (in my opinion) one of a kind. And the way he puts together songs is fairly unique as well. His work does remind me in a lot of ways of other abstract hip hop, the darker content and eerier delivery sets it apart, but the similarities are there. Sort of the auditory version of that artist who used to paint pictures with their own feces. The presentation and the media may be pretty foul but it's still a painting. And in this case I happen to think it's pretty good.

Drowning in an Exosuit is that same V8, this is not a polished version of the emcee I know, as can be the case with new releases in this day and age. From the over ten minute opening track "Take a Load Off Fanny" this tape is full of craziness and surprises. These songs often have several different producers, and they often veer completely off the rails at a moments notice. The production is interesting and ranges from electronic and fast paced to solemn and orchestral. The instrumental collage style is more prevalent than on 2017's One Dog Night (get that here, it's dope), with vocal samples stretching on for several minutes, followed by V8's creepy rants, slipping into instrumental interludes and back again. And honestly, one of the things that I love about hip-hop is it's found art roots. The DJ / producer is picking up pieces of someone elses work, and as a music fan, is putting it together in new and interesting ways. In that sense I really feel that hip-hop as a sampled art is a music for the real music fans.

I digress. I don't know how helpful this review is. To sum it up, if you know and hate V8, you'll hate this. If you like him you'll like this. But if you've never heard him and are open to some darker material, with a style unlike virtually anything else out there, give this tape a shot. It's a good one for new listeners.


Get the cassette from Icy Palms Records here on digital or physical, out now!

6 comments:

  1. So, I know V8. We were both friends of Vyle, then we became cool. I lived with him for a few weeks after I came back to Chicago from California. It was a rough time. We have since fallen out, which was partly due to some issues he was going through, which he hopefully has sought help dealing with. I always thought he was a special kind of genius when it came to his music. He is definitely an acquired taste for some listeners. I recall one time Sole, who was still Anticon at the time, told us (K-the-I???, Vyle) that V8 sounded like a Japanese woman's voice being strained through cat hairs, or something to that effect. Anyway, I'm glad his music is reaching a wider audience. He worked for it, and he deserves to be heard.

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    1. Thanks for offering that!

      I got into him through Hello.L.A., I think the first record I heard was Smashed Rats by Sludge Factorie. It just looked like something I'd like and I wasn't disappointed. Crazy weird, and unique.

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  2. Peep the Angry Space project he did with K-The-I??? and Shortrock. I think dude put some of the tracks up on a Bandcamp.

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    1. Got it, it's insane. Great combination of voices, K-the-I??? is perfect for when you need a break from V8 and vice versa. I wonder if they'll ever make a full length... (hint hint).

      Analog is up for free download on Hello.L.A and the A-Side of the original single is on his bandcamp for those interested. B-Side was on Post Solaris.

      He's probably got tons of older stuff I don't know about but I think all I'm missing is Utica is Burning with 11:00AM. He was gonna send me that at one point but he mostly just sent random tracks. Good stuff though.

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  3. I have a project that Kiki and Vyle were working on over a decade ago. It was initially going to be a Fieldwerk (CrushCon7) release, but, I think dude started to focus on some instro projects. I might be one of 5 people that still have it, and I've been asking then about dusting it off and releasing it for years. I'll try to to find it and forward it to you.

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