Underground Fossils was an indie rap focused blog run by myself (Dimxsk) and by Trylemma, who passed August 3rd, 2024 from liver failure of unknown origin at the age of 34. We mostly posted week or twice weekly, the bulk of which were rare rips we made, found on old blogs, he acquired through his insanely broad connection to the scene, etc. We did all we could to make sure we didn't post stuff that (1) You could still reasonably buy from the artist directly, (2) You could reasonably buy secondhand for cheap, (3) You could download easily elsewhere, (4) The artist(s) asked us not to for any reason. Being involved in this blog was some of the most fun I ever had, even if at times it was time consuming, challenging or intimidating (having a readership). It was the product of one of the best friendships I've ever had. If I could say one last thing, it's to encourage all of you: if you have the time and desire, make your own UGF. Find a friend who loves this shit like you do and build it together. It will bring you incredible joy, enhance your connection to this amazing community, and change your life in unexpected and exciting ways. I know it did mine. Love you all!
Showing posts with label brzowski. Show all posts
Showing posts with label brzowski. Show all posts

Friday, September 25, 2020

Brzowski - General Surgery (2004)

 

 

Surprise! For this Friday's post I'm not prepared... again... Life gets in the way doesn't it? Oh well, I was thinking about it and I figured now would be a good time to share one of my holy grails that was finally unearthed by the homie Ludz.

General Surgery is the second unofficial album from Brzowski, who's career and credentials I discussed at length two weeks ago, so I won't go into too much of that here. But let's just say this little gem is a great way to get introduced to his earlier work, assuming of course you've already peeped our first post and picked up his very first album New England Gothic. Now that you have both maybe it's time to give that The Subjugation of Bread a listen right over here? Just a thought.

Brzo, if you're reading this maybe you can offer some specifics on this album. My understanding is this is an unofficial compilation of collabs, singles and demos that was offered up for promotional purposes. It contains some great tracks, most of which are impossible to find elsewhere.

Anyway I feel like Brzo wouldn't mind me sharing this but if I'm wrong please let us know dude. UGF is all about Brzowski and Milled Pavement, if you've been sleeping then wake the fuck up.


DOWNLOAD

 

Tuesday, September 8, 2020

New Music: Brzowski & C$ Burns - The Subjugation of Bread

 


 

Well guys, as you know we at UGF do our best to cultivate positive relationships with the artists who's work we love. That's why we have stricter rules than some about what we post on Friday's, why our reviews are more posts about music we like than positive versus negative critiques and why took the time to give our shout outs to our favorite artists of the 10's. And I'm honored to announce that one of my personal favorite artists not just of the last decade but definitely of this new one as well, Brzowski was paying attention. So he offered UGF the chance to listen to his newest cassette The Subjugation of Bread (out 9/11/2020), and I of course was honored and excited to be given that chance.

There's the background. Here's a bit more. Entirely produced by C Money Burns, who's work with Brzo  as Vinyl Cape, that alt rap-metal hybrid machine that will kick you in the balls if you call it nu-metal led to some of my favorite Brzo songs to date, The Subjugation of Bread is quite a bit different from what the duo has done before. C Money Burns has proven himself to be a multi-talented instrumentalist who can not only put together some seriously heavy metal tracks but also spacey and emotionally stirring melodies. His solo work as Elevator Hotels is very much worth a look if you're interested in music outside the hip hop genre, especially if you grew up listening to Depeche Mode or The Cure. His work here is in a way a summation of his skill set, a mixture of live instrumentation, sampling and his signature heavy percussion that evokes very effectively a world on the brink of total collapse.

Speaking about impending doom is par for the course with Brzowski. He's dark like American currency is green and blood is red (see what I did there?), he wouldn't be the musician he is without a depressive bent and a desire to express it. That however is a serious oversimplification of what his music has to offer. Rarely in the music scene have I had the good fortune to find a poet with his ability to speak coherently with such unusual vocabulary, and with such a solid disinterest in adhering to conventions. Take for example the mind bending alliteration found on "Red Lanterns" below:

"Subverting and exploiting the desires superstructure can't satisfy

A self-shot pic from the machinery, self-surveillance, spectacular spook chasing"

Nobody sounds like this, and make no mistake how much I appreciate his contributions for that reason alone.

On The Subjugation of Bread we find Brzo taking the plunge into serious protest rap. We've been seeing for a while his willingness to share his political views with the listener (most recently on the excellent "Tear the Facists Down", found on what may be my favorite of his albums, mixtape or not, Blooddrive Vol. 4). The Subjugation of Bread is a serious look at the state of the Western world and how capitalism has worked for us in practice. I agree with what he says here, it's hard not to if you live in the US and bother to follow current events, um... ever. His penchant for twisted and clever verbosity helps keep what is very solid political conversation well outside the realm of preachy, and I think manages to effectively make his point while at the same time keeping the experience fresh and entertaining, as music should be.

The combination of vocal samples and lyrical content, together with sophisticated instrumental work by Burns allow each of these songs a visual quality that makes them immersive and powerful. The included tactical manual also offers more insight into the duos thoughts, and overall depth to the message. I am not as articulate or educated as the man himself, so after asking him for a summary of the message behind The Subjugation of Bread and getting this response, I feel like the best thing I can do is step back and let him tell it to you:

"Willful ignorance is dangerous, self-education is essential, media literacy needs to be ingrained (who OWNS your favorite news/magazine/site/radio/video channel etc.).... Capitalism has been pointed to as the only available avenue to deliver prosperous futures, that are heretofore not arriving, for the vast majority of people living in these systems. This is the Hauntological aspect of Capitalist Realism. I understand the irony of selling anti-capitalist music in a capitalist society, but have been overwhelmingly supported in this project with C$Burns, which tells me a fair amount of people are willing to pay-into this kind of artistic/philosophical exploration, if not try to move these ideas into physical space after the fact. I'm seeing a lot of pre-orders from new names that I don't recognize, and this is an encouraging development.


In November of 2019, C$ and I were having a humorous phone conversation, derisively laughing at how often peers and pundits alike throw around terms like "Communism", "Socialism", and "Anarchism" having no idea what they actually denote as political systems. We went on to talk about how irksome it is to have your average US citizen use the terms "the Left" to mean "the US Democratic Party" (which is functionally Center-Right). This was the genesis of the project: "Hey, let's make a project that explains it to them!", and after another round of cackles, we decided this was in fact precisely what we would set out to do. We of course are addicted to information-based complexity, and so poetry, metaphor, obscure references, and more than a few in-jokes are included in the lyrics and the design of the book itself. We want the project to unfold and become a richer experience beyond "music" after digging in beyond the initial listen.

The purpose of including the lyrics, images, and the "suggested reading list" was to offer a richer understanding of the content by providing a map to triangulate our position, much the way Media Literacy functions. One has to plot and triangulate what art means by its historical/cultural context. This was a rare occasion where the content and sentiment became more relevant between the time the project was completed (February 2020) and when it was released (9/11/2020)." - Brzowski

Very good. As I told him I remember reading one of his posts a few years ago, basically making the point that apathy is as destructive as active destruction. Viewing evil as too powerful to overcome is an excuse to be lazy and allow someone else to do the good work that you might've been called on to do yourself if you bothered to care enough. That resonated with me as at that time I was definitely feeling as though protesting, voting and organizing were unlikely to ever amount to anything real and therefore not really worth the effort. This was mostly a result of depression rather than a lack of concern for the state of things, but what I got from what he said was that it doesn't really matter, I was still allowing myself to be one less voice on the right side of things.

On fully listening to the album twice now, and doing my best to read the accompanying Tactical Manual (see what he says above if you're debating picking that up along with the music. It's essentially half the album you'll miss out on without it) on a computer which is difficult because of the format (I can't wait for my preorder package), I came out of it with this sentiment. Things like drugs, shiny possessions and so-called esteemable positions are what we use to survive in a world that basically lives off the suffering and humiliation of MOST of us. It's never been more obvious than it is now. Brzowski and Burns want us to stop accepting what should be unacceptable, and they're letting us know in a way that's dark, clever, funny in some places, melodic, sad and hard hitting. This album not only offers a half hour of dope hooks, crazy poetry and head-noddable instrumentalism, but it's a very handy way to get oneself excited about possible solutions. This album is fantastic and sorely needed in the world of today.

I just want to take one moment to thank Brzo for reaching out and giving me this opportunity. I can say for Trylemma and I it's seriously awesome to know the artists we love are seeing the stuff we post on this humble site. See ya'll Friday!

 

Do yourself a favor and pick up a physical (or I guess a download works too, maybe if you ask you can get a PDF of the book although good luck reading it on a computer) of Brzowski and C$ Burn's cassette The Subjugation of Bread here, dropping this Friday! You don't have to be a fringe Leftist to love it though, don't worry!

Wednesday, October 9, 2019

New Music: D-FAZ - OneNationUnderDog





Welcome to another Wednesday at UGF as our first year in operation begins to wind down! I wanted to take the opportunity to help promote an artist who I have a tremendous amount of respect for, Brzowski, and the newest album OneNationUnderDog by his band D-FAZ (check out their official website for more information here). While this was originally slated to drop on 9/18, I never did get an official announcement that it could be downloaded in full. The entire thing is up and available though and I figured maybe others who had preordered it were wondering what the deal was, or had forgotten about it and hadn't had a chance to peep it out. So I thought I'd offer my two cents on the album as well as draw some attention to it a bit after the fact as it seems it might have flown in under the radar...

The original D-FAZ EP, Abandoning (get a download of that one here) was an interesting listen. Brzowski is growing to be a very versatile poet and emcee, and with his experimentation ranging from straight up rap to metal with his other band Vinyl Cape (with C Money Burns) and fusions of the two, he's also definitely pretty fearless. D-FAZ goes in a new direction for him, blending an electronic bass music sound provided by four French production wizards with his angst ridden activist lyricism to create something engaging and new.

OneNationUnderGod tells the tale of a dystopian future, where an authoritarian surveillance state punishes free thought and incentivizes compliance. Brzowski's lyrical narrative mostly follows this story, with commentary about war, capitalism and activism, all firmly rooted in the real world as well as the world of D-FAZ's music. It's not an entirely novel concept especially in indie rap, but I have to give him points for his sincerity and energy in putting it all together (as well as his timeliness, although when in the last 50 years have messages like these been anything but timely?).

D-FAZ's instrumentalists are undoubtedly talented as well. While not being a huge fan of electronic music, I do find I enjoy the sounds they create. Their music provides a very apt landscape upon which to display the story line of the album. Bleak, eerie and anxious, a feeling of bad things coming to pass. Overall the sound is more electronic based than the EP, although there are definitely punk and metal elements to be discovered as well, and some especially noteworthy work from the percussionist. I found myself ultimately hearing a bit of the band Tool in their work on tracks like "One Nation". The songs often stretch to 5 minutes long with drum heavy breaks and knob twisting sound effects, and these musicians also have a chance to display their chops on a few instrumental tracks sprinkled here and there on the album. “Rosebud" was a beautiful example of this, although I actually felt that Brzowski could have written something amazing for it, which is unfortunate.

I did like this album a lot, however I still have to say that I prefer Brzowski's solo work or Vinyl Cape. It may just be opinion (I will always like the sounds of instruments or turntables more than the electronic stuff that seems to be huge these days), but I also felt in a few places that Brzowski's vocals didn't quite mesh with the instrumentals, and sometimes it seemed like the collaboration was a little bit forced. That's not a commentary on the skill of any parties involved, just a feeling I had that maybe the band could use some time together to work out a way to let everyone shine in every song. I recognize how difficult that probably can be in acts like this. I'm still excited to hear more from them, and I still highly recommend the album.

D-FAZ is, as stated on their website an attempt to "erase the division between I/We and the dreaded They/Them", so join Us and check it out today!


Don't be put off by the preorder flag still on the Bandcamp download, you can now purchase and download this album, in full, from the ever amazing Dora Dorovich right over here.

Tuesday, January 1, 2019

Epic (Saskatoon) mixtape, rare Subtitle cassette & Brzowski's first album

Welcome! This is Week 1, and a most auspicious beginning for Underground Fossils. Trylemma has had an amazing year sourcing rarities, and I've used my USB tape deck to produce some rips for you of a few of the rarest examples. We also decided to include a rip of Brzowski's first solo project New England Gothic which, for fans of the Maine indie rap / doom metal artist should be a pretty dope listening experience. There's a lot more to come, and we're totally stoked to be here. Happy New Year!

Epic: Touch of Grey

To start the blog off with a bang, we present, coming straight outta Saskatoon, DJ Epic's (now known as Epic) "Touch of Grey" mixtape. This tape, which is indeed a mix-tape in the truest sense, was released circa 1997 when Epic was the head of the BeatComber crew (which included Chaps, Soso, Knowskills, Innate, Deluxe, M. Phasis, and Fall Guy.) Epic estimates that he sold about 30 of these bad boys hand to hand back in the day. I'm not entirely sure what the "#5" that is visible on my copy (see scans) means. It may be the fifth "Touch of Grey" cassette that Epic dubbed or it may be Epic's fifth mixtape overall or it may be something completely different. We get some classic tracks included here from the likes of Outkast, Buck 65, and Kool Keith, along with some quiet jewels like the M. Phasis freestyle. Enjoy!
T.



Note: Side B does cut off a bit early. Goddamn cassettes!

Subtitle: how2beat_thebeat01.872

Next, we have a Subtitle cassette from Highground: how2beat_thebeat01.872. Probably comes between 01 and 02 in that series, but we honestly know next to nothing about this work, and trying to read Mr. Marks' handwriting didn't really lead to any revelations about it. We know that it contains tracks from 02, and some new ones as well though. Trylemma conjured it up, I ripped it, and we are confident that this is the first time ever it's been offered online in digital format! Be aware, it's very lo-fi, and it has a bit of whine that comes in around track 7 and persists for the rest of the album. My copy of Written By... Megabusive ft. Smash Adams has the exact same sound but none of my other cassettes do, which makes me think it's an artifact of the tapes Highground used. It's only noticeable during silent intervals between songs so hopefully no one finds it intolerable.
D.

 


Note: I labeled the tracks as they were on the insert, but I strongly suspect that the song Key 23A is the one where he says "Key 23A" a whole bunch, and not the one before it where he doesn't say it at all. This suggests the rest of the songs may be titled incorrectly also. The artwork also only lists 12 songs, but there are quite a few more. Finally, the artwork came cut off, the above scan is how it looked.

Brzowski: New England Gothic

Finally, we have New England Gothic by Brzowski. I managed to get a used copy of this from a guy on Discogs and I'm very glad I did, it's a must have for Milled Pavement fans. Released in 2002, predating the Raygunomics EP by a few years, this album shows Brzowski gaining confidence in himself as a rapper and writer and developing his unique sound of spoken word inspired poetic rap. It's not his best work but it's brutally honest, emotional, and especially (and so importantly) DIY as fuck. If you like Brzowski's weird goth rap music and don't have this, now you do. Enjoy!
D.



So that's it for our first post! We wanted to line up our debut with the New Year, but our official post day is Friday. Be sure to tune in next week before you head out for TGIF drinks, we've got something real dope planned. No spoilers. Finally, do us a favor and spread the word! This isn't even close to the end of the exclusive rips we've got on hand and more fossils are unearthed all the time.