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Welcome to Underground Fossils, brought to you by Dimxsk and Trylemma. The purpose of this blog is to assist in the sharing of out of print and/or rare examples of the hip hop genre. We believe that every release we post is an integral part of history and deserves to be heard by older fans as well as new seekers. We do not post or encourage the posting of anything that can be bought easily from the artist, those can be found elsewhere. Furthermore, if any artist who is featured here wishes not to share their material we will remove it immediately. Most of the rips found here were made by other people, but some of them were made by us. We are not sound engineers, so while the quality will usually be 320 kbps, they will be recorded from the source material as is. Please message us if you are an engineer and want wav files to master. Enjoy!

PS: We also want to thank all of the women and men before us who shared music in this way. Your work made our collections what they are today, and we are grateful.

Wednesday, January 30, 2019

New Music: Malibu Ken (Aesop Rock & TOBACCO) - Malibu Ken


Happy Wednesday to all of you from UGF! This week we're bringing your attention (if it's not already there) to Aesop Rock & TOBACCO's first release as Malibu Ken, out now on Bandcamp and all other major retailers.

I've been a fan of Aesop Rock since 2004 when I first heard Float. I was a teenager and the intellectual complexity and quirky weirdness of Aesop Rock appealed to my search for novelty, and (I will admit it) my slightly inflated view of my own intelligence. Deconstructing his long winded and complex narratives was an entirely new listening experience for me, and I loved it.

That said, watching a new generation find and learn to love the man has been a bit of a bemusing experience for me. While I'm thrilled that he's getting the respect, attention and money that he deserves, when I hit one of his shows I'd like to see people paying attention and absorbing what he says, rather than talking loudly or acting a drunken fool. I will admit that maybe his move to the 'mainstream' has triggered the possessiveness that exists in every fan of indie music like me, and I’m driven to clown on bandwagon jumpers. I dunno if anyone reading this agrees with me, or if I come across as 'old'. By the way I don't really like cloud rap either, sorry...

All that said, the album Malibu Ken has everything a fan of Aesop Rock is looking for. Intelligent zaniness that conveys a message, usually one far removed from conventional rap topics. The offbeat and unconventional production trips him up in a few places (Sword Box) but it's subtle, and doesn't cause any issues with enjoyment of the record. I think working with a musician who primarily produces soundscapes unaccompanied by raps might be to blame, the beat is not always right for a vocalist.

Speaking of, I will say that as far as the production I wasn't really a fan. I saw TOBACCO in his Black Moth Super Rainbow incarnation opening for Aesop after the release of None Shall Pass, and neither me nor my friends were really into it. They were a bit too weird and not particularly easy to listen to, and finding out that they (he?) were releasing albums on Anticon didn't really come as a surprise.

The production is entirely played on synthesizers. It's clearly not sample based, which is something I tend to like. In it's entirety it doesn't utilize the variety of instruments and sounds that, say, Impossible Kid did so well. I would say the music sounds a bit like what you hear as background in those videos that new jobs make you watch that teach you to keep your hands to yourself. The retroness of it does seem to go with the cartoonish and gross cover (reminds me of Garbage Pail kids, therefor 80's). Musicianship is great, it's just not what I like personally.

I'm glad he made this album. It's a worthy addition to his highly respectable body of work. Everyone I know who likes Aesop likes this album, and it does seem that he enjoyed himself making it and didn't hold back. I'm sure most of you have already at least listened to it, but check it out if not. Honestly I'd love to get some of your thoughts, I know that this album is getting a lot of acclaim and attention. Anyone interested hit us up below!



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